1. |
Yellow Diamond
01:21
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2. |
Pulling and Pushing
03:43
|
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Elvis pushed me in the chest once
Or maybe it was a punch, I can't remember.
Elvis was in the yellow house
I was in the red house
I pushed him back
Or punched him back
I can't remember
I was made to sweep the leaves behind the homes
The girls by the stream watched
They waved
I danced with the broom
They liked it when I danced with the broom
I didn't like Elvis
But I enjoyed dancing with the broom for the girls by the stream
Elvis pushed me in the chest once
Or maybe it was a punch, I can't remember
Elvis was in the yellow house
I was in the red house
I danced better than Elvis
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3. |
Further
02:27
|
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4. |
The Bay
01:33
|
|||
There are two men that walk with each other just about every lunch time. They argue. They are arguing with each other every time I pass them out there. I don't get it. Is it an enjoyable relationship between the two of them? Do they choose to interact this way? Is it something they decided between the two of them? That they would use their lunch times as an opportunity to debate various topics with each other? It seems tedious. Though perhaps they consider themselves to be philosophical giants carrying on with the noble art of philosophical debate and the search for truth. I just think they're loud obnoxious and annoying. Its all in the delivery I guess.
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5. |
Front Window
02:08
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6. |
Wales
01:41
|
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Taking in the beauty
At 100 miles per hour
If you take it any slower
Does the sweet become sour?
The diminishing power
Of each yawning flower
If you're going to collide, you may as well make sure you'll die
———
The steam and the horses will fuel the commute
James Bailey will fuel the folk
And every piece of history needs a paid car park of tar
With its falling metal fences
So fall all the pretenses
But I guess its a few blocks away
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7. |
Plunge
02:44
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8. |
Cutting Up Paper
03:28
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9. |
The Wireless
04:55
|
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10. |
Silver
04:18
|
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11. |
Dual
03:29
|
klangmoss Sydney, Australia
Music, sounds, and a few words from klangmoss.
Have a listen.
Hope you’re well.
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